Q&A WITH WARREN MAXWELL OF LITTLE BUSHMAN

Q&A WITH WARREN MAXWELL OF LITTLE BUSHMAN

 

Warren Maxwell is the maestro of many projects. EntertainMe got the low down on Little Bushman for 2012. Catch Little Bushman at Tuborg Summer Sunday on 29th January in Matakana.


For those who aren’t familiar – how did Little Bushman come about?


Bushman began over a game of tennis with Tom Callwood and I, who had recently returned from living in London. We knew each other from Jazz school and around the Wellington scene. We discovered a mutual love of 60’s blues and Rock (Led Zep, Bowie, Jimmy).


I was also looking for another musical vehicle to vent my intrigue for psychedelic music, so we thought we’d call on the services of Mr Rick Cranson and have a jam – to see what may come. I’m always jotting down seeds of ideas so we got together and started recording a few demos. After a while we realised that we needed a REAL guitarist (I’m more a 3 chord rhythm player) so half way through recording a demo EP we enlisted Toms’ brother Joe and Bushys was born.


Describe the Little Bushman sound


The Bushys’ sound is a culmination of the plathora of musical sounds that are interesting to us band folk. We whakapapa to blues and psychedelic rock, but there are so many musical influences in there. I guess, like Trinity, our main objective is to provide something sincere to our audience, that doesn’t insult them in any way and to take them on a musical journey. Lyrically I like to write in a more poetic style, lots of metaphors and lateral perspective.


What are you working on this year?


As we have just finished recording our 3rd studio album, I think its time we try and get out into the world. We are looking at touring Australia extensively – we  reckon there is a potential ‘Bushy’ crowd over there. Our music is a bit too left-of-centre to sustain a living in NZ so we need to look further afield, but that all takes time and money – neither of which we have, but we’ll get there. So lots of touring this year. We have a new Bass player, Caleb Robinson, and he has added a great dynamic to the group (Tommy joined Phoenix Foundation so couldn’t sustain both bands – completely amicable and still lots of love there).

 


How does the New Zealand culture come through in your music?


We do try to keep our music referencing NZ. Te Oranga is all in Te Reo Maori. Its actually quite a challenge to come up with ‘A NEW ZEALAND SOUND’ or whatever elements define what NZ is without being obvious (taonga puoro etc). I believe space has a lot to play in defining NZ music. It’s a soundscape-stratosphere thing. We have a lot of lyrical political fodder, but then so has every other country in the world. Yeah, so, subconsciously I reckon it’s the spacial thing in the music.

Q&A WITH WARREN MAXWELL OF LITTLE BUSHMAN


What do you want to achieve as a group this year?


As mentioned earlier, Aussie is big on the cards. We have a project manager over there on the ground who came to our performance at Mulim Festival and he really enjoyed the show. He also loves the album and reckons our first Australian single should be ‘Te Oranga!' the one all in Maori! That really surprised me.


A normal session in the studio entails...


All submitting to Joe’s porridge – he’s a culinary fiend!...Then listening to whatever we recorded in the session before, critiquing, tweeking, re-record, analyse, tweek, eat, reference David Bowie…eat, re-record, critique, tweek…eat…moe. Wake up and do it all again!

 

Q&A WITH WARREN MAXWELL OF LITTLE BUSHMAN


Biggest adrenalin rush?


Probably as a band…the very first time we played at Parihaka Peace Festival. Our slot was right on dusk and I busted out a karanga on Sax and all these people started coming over the hill – it was a very spiritual, amazing gig. I remember going round the band after and giving everyone the biggest hongi! I was buzzing. Byron Bay Blues Fest was pretty choice too…and I remember playing Freemantle West Coast Blues & Roots Fest and no one had heard of us. We were on ‘Stage Z’ (way out the back) so we started with hardly anyone in the crowd, but by the end of our set it was packed! It was a testament to the music – not a name or a marketing budget.


Favourite quote?


“Hey bro! Its Bro, bro!!” – Rio Hemopo at WOMAD when he forgot Bros name.


On your headphones?


Bon Iver – For Emma, forever ago.


What words of wisdom would you give for those keen to follow a musician's footsteps?


Be uniquely YOU and augment it. Don’t compromise for anyone. Be realistic and set goals but most of all... enjoy yourself and have fun.


If Little Bushman was an animal it would be...


I reckon we’d be a flounder – ugly as corruption and a little bit flat, but really tasty with heaps of tomato sauce and chips!


By Olivia Young


 

 


 


 

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